“Senegalese kora and western trumpet make fabulous music together! Volker Goetze’s enthralling documentary melds dazzling visuals and haunting songs to serve up a feast for the senses. Griot introduces us to Goetze’s own soulful trumpet stylings and the extraordinary voice and calabash harp artistry of Ablaye Cissoko. "Africa is the spiritual centre of the Planet Earth," claims one of the many contributors to this enchanting film, and, given the evidence, it is a claim that becomes difficult to disprove.

 

Ostensibly, Goetze’s documentary sets out to explore the history and role of the "griots" whose spiritual and musical talents are passed "through the blood" from generation to generation. Their role is many-faceted: historian, storyteller, praise-singer, poet and musician. Ablaye Cissoko, thinker, leader and gifted musician, is an examplar.

 

The film has at least three elements that compel our attention and capture our minds and hearts: the outstanding music; the cinematography, which brings to life the vibrant colours of West Africa and the splendours of its natural life; and the almost hallucinatory animation which adds another texture to the music. In common with other exceptional documentaries, Griot amounts to more than the sum of its parts. It is a paean to the senses: at moments our eyes are dazzled by what we see, at others we can close them and just let the haunting music flow through us.”

- Vancouver International Film Festival

 

The music of Volker Goetze and Ablaye Cissoko has been documented on the duo’s two successful and highly acclaimed world music albums, SIRA and AMANKI DIONTI which placed #1 on iTunes World Music in France and was honored as the #1 Global Hit of 2012 on NPR.

Director’s Biography

Multimedia Artist Volker Goetze is a German-born, New York-based trumpeter, composer, and filmmaker. He performed and presented his work at leading venues and international festivals such as the Carnegie Hall, Kennedy Center, Merkin Hall, West German Radio Station (WDR Cologne), Gasteig Munich, Jazz-A-Vienne, Jazzhouse Copenhagen, World festival of Sacred Music (Los Angeles) and the Opera Festival in Munich. His work bridges cultures creating contemporary cross-cultural dialogs across multiple disciplines incorporating cutting edge technology. His recent compositions don’t fit in any singular category as they derive from folklore music, rock, jazz, contemporary music, classical as well as baroque music. In the recent years he has been investigating the oral culture and story telling of West Africa and their influences on Jazz and Black Culture in America. GRIOT, a feature documentary on the oral music tradition in West Africa, is Volker Goetze's debut as a film director and has since developed into a multi media performance symphony documentary. Mr. Goetze held many master classes and was invited as a Panelist from such distinguished Institution as the Apollo Theatre, New York Foundation for the Arts and the Flaherty Film Seminar.

 

Director’s Statement

The film is neither a traditional western documentary, as it does not settle for a conceptual understanding of our subject; nor is it simply a performance piece, as it does not settle for collecting powerful songs. This piece celebrates the art of the Griot - the art of the praise-singer and musical healer - by expanding the narrative through an interaction of poetry, music, song, stunning visuals and earthy sounds. Our stylistic approach taps into the very essence of the healing work of Ablaye Cissoko as a musician and activist in his home country Senegal.  The approach is consonant with the life and history of Ablaye Cissoko himself. He descends from Kimitang Cissoko, the inventor of the kora, the African lute-harp. A genie directed him to build the first kora and the beautiful music he created with it lifted his people from their despair. Ablaye Cissokos music similarly has the power to heal broken people. His songs touch hearts and already reach far beyond the borders of West Africa.

 

The Media Team

 

Sam Pollard.  Co-Producer/Post-production Supervisor. Multiple Emmy Award winning, Peabody Award winning and Academy Award Nominated producer and editor,best know for his work with Spike Lee on When the Levees Broke, Mike Tyson, 4 Little Girls, Mo’Better Blues and Jungle Fever. From time to time, Pollard serves on advisory committees for the National Endowment for the Humanities; National Endowment for the Arts; or the Independent Television Service (ITVS). The idea to have Sam Pollard on board existed already in the early stages of development of The Griot in late 2007. Not only is he one of the most respected documentary editor, Sam Pollard is able to present complex issues in a compelling way in films.

 

Victor Kanefsky. Co-Director/Editor. 58 years in film industry, Victor Kanefsky ran a film and video editing service that trained, among others, Sam Pollard. Cajun Jockey, Emmy Award; Our Latin Thing and Style Wars, both documentary classics; as well as Distant Harmony, Pavarotti in China; Adam Clayton Powell, Academy nominated; Our Latin Thing, Filmix Film Festival award winner; Ganja and Hess by Peter Gun, official selected at Cannes. Mr. Kanefsky is highly respected as having taught many of the best editors of today, still working and advising, he is the person Sam Pollard learned the trade of Editing from.

 

Leslie Mulkey (a.k.a. Holcomb Reed). Writer. Film, video, NLE editor (Avid/Final Cut) with over 20 years in the business - worked for CBS News Sunday Morning, 60 Minutes and 48 Hours, ABC News 20/20. His experience at CBS enabled him to make editorial decisions, most of them making it to the final broadcast version.

 

Sanne Kurz. Cinematographer. Civis International Media Award 2004; National Award for Female DPs – Section Feature Film 2009; Spotlight Commercial Film Festival with the TVC “Lefax Pups” directed by Satu Siegemund. Every Editor complemented the Senegalese footage she captured. Trained also as a documentary filmmaker.

 

Joshue Ott. Visualist. Mr. Ott creates cinematic visual improvisations, performed live and projected in large scale. Working from hand-drawn forms manipulated in real-time with superDraw, a software instrument of his own design, Ott composes evolving images that reside somewhere between minimalism, psychedelia, and Cagean chance, delivered with an inescapably human touch.

 

Volker Goetze. Producer/Director. Award-winning musician, composer and producer and close friend of Ablaye Cissoko - they met in 2001 for the first time. Volker Goetze visited and performed many times in Senegal since 1996.

 

GRIOT received funding by the New York State Council on the Arts and free103point9 Transmission Arts distribution funds,  and is made possible in part with public funds from the New York State Council on the Arts, the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council. Sponsorship was provided by the New York Foundation for the Arts.

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